“Objects To Preserve Moments I Don’t Yet Know How To Let Go Of”
The jewellery in this collection is shaped by memory and moments that felt worth holding onto. Working directly with silver and gold to hand make each piece, both materials are chosen for the emotional qualities they carry as much as their physical properties. The pieces become a form of record keeping, a way of holding fleeting states in material form, translating what is momentary or difficult to put into words into something that can be worn, kept, and returned to.
Index of Objects
A small hand pressed solid gold pendant with a softly textured organic surface. Finished with a gold bail, the piece weighs under 1 gram and sits delicately against the body.
Noon light holds a suspended feeling of warmth pressing against skin, silence in a bright room, the strange weightlessness of a moment that feels both fleeting and endless. Noon is for moments of warmth, clarity, and stillness. A reminder to linger a little longer.
A small hand-pressed silver pendant with a softly textured surface. Set with a single Aquamarine, the piece combines texture with a clear point of light and colour.
Current reflects on the quiet pull of memory and emotion, often subtle, often unseen, but always present below the surface. The aquamarine introduces a sense of clarity and depth, like light moving through water. To carry forward what continues to shape you.
A small hand pressed silver pendant with a softly textured surface made using wrinkled paper. Finished with a thick silver bail, the piece is lightweight and understated, designed to sit closely against the body as an everyday object.
The surface preserves the imprint of movement, now stilled into a cool, fluid, and enduring material. For momentary pause.
A solid sterling silver ring that rests close to the neck. The piece has a weight and sculptural presence, balancing softness in its texture and curve with a strong, enduring structural form.
Hold reflects the physical experience of being enclosed and supported by form. An object that holds space around the body as much as it is held by it. For the comfort in keeping.
A sandcast silver pendant from a single original piece, preserving the texture, shape and surface, but allowing each new casting to acquire its own subtle irregularities.
Ruminations on the arch form. Certain shapes seem to belong to us long before we give them a name. Places where an arch reveals itself: a gentle curve in the body, a doorway, the landscape. Arch is a small meditation on that familiar form.
“Keeper Boxes”
On Keeping
There is a moment when an object quietly changes category. A receipt becomes a keepsake. A shell becomes a souvenir. A ticket stub reminds us later where we’ve been. Its usefulness fades, while something else takes its place. Keeping has very little to do with value, and almost everything to do with attachment to a moment in time.
a shell from the beach / a folded note / a used ticket / a pebble / a ring that no longer fits / a polaroid photo / a spare button
A place for small attachments, offering them somewhere to rest between being held, worn or found again. A home for all life’s ephemera.
Index of Objects
“A Girl With Rituals”
A Girl With Rituals
Short stories on jewellery rituals.
Index of Objects
A ring to become part of the choreography of the day.
A solid recycled silver halo ring with a softly off-round profile. Texture from the casting process, along with fine file marks, are intentionally left visible, unique every time. Its simple form is intended for everyday wear, allowing the surface to develop its own quiet character over time.
A solid silver bangle. Its quiet profile is intended for daily wear, allowing the silver to develop its own character through time and use.
There is comfort in reaching for the same object each morning. Not because it is precious, but because it has quietly found its place. Some things become extraordinary by surviving ordinary life.
Silver hoop earrings with a softly rounded, slightly irregular profile. Each one is handmade, consider them sisters not twins. Formed in recycled silver, with the subtle texture of the process and gentle file marks intentionally left visible.
Worn often enough, they become less like jewellery and more like part of the face.

A sterling silver necklace composed of hand formed links, individually shaped and connected to build a fluid continuous chain. To be worn alone or layered, and intended as a foundation piece to add charms and pendants. The piece moves closely with the body and carries a subtle sense of repetition and texture through its construction.
Et al, meaning “and others.” Reflective of the idea that jewellery collections are rarely fixed. An invitation to add your own story, objects, charms, and personal histories allowing the piece to grow through attachment, accumulation, and sentiment. A piece that remains open to what comes next.